• Machine

    Set of components linked to each other, created to exploit the action of a

    force and transforming it into another matter to generate a certain effect.

    The individual specialized in the creation of machines, replicants, gundams.

    Technological parts on the bodies, synthetic skins, digital weapons, AKIRA and cybernetic organisms.

     

    This project is located in a fictitious space where time is not linear, where imaginaries coincide timelessly, thought by different agents in different latitudes, where the individual re-learns how to interact with its own habitat, creates machines for survival, and uses the knowledge accumulated over centuries but without the ease of industrialization.

     

    Where machine does not make itself, it is the domestication of matter, force and heat of the body that builds it. The pause and the development of the object exists in the organic, there is no industrial form that can accelerate the process of creation, only harmony with four elements.

     

    Extracted earth

    Controlled water

    Reserved air

    Contained fire

     

    Damp earth to attain mud

    Water to bind, to knead the clay - to make it malleable / workable.

    Air to dry the clay object
    Fire to burn the clay object

     

    Mobile Suit is a metaphor to understand that the greatest refuge and protection is the principle of manual / artisan creation.

     

    Under the definition of the machine, we seek to produce analogies and similarities between the energy creation processes and the creation of ceramic objects.

     

    The extractivism of natural matter from the earth is the basic principle and the means for the creation of technological objects, extraction of metals and raw materials to create nano chips and robotic elements. Here, we return to the traditional practice of the ceramics, rethinking the hyper-production processes with which technological machines are manufactured. Contravention of rudimentary and manual processes.

     

    For the creation of these pieces, forms and imaginaries from series and animes are used, whose narratives are machines as human instrument that achieve the development of present and future historical moments of humanity, visualizing conflicts and possible solutions in the face of an imminent extinction. The objects present the same tonal range, a resolution that links the pieces together and generates a harmony with the space; an abyss where the future, present and past can converge.

     

    - Jou Morales and David Zafra

  • Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023

    Courtesy of the artists and Campeche, Mexico City
    Image credits: Ramiro Chaves @whitebalancemx 
  • Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023 Campeche

    Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023 Campeche 

  • Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023

    Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023

  • Jou Morales Urna Mecha, 2023 Low temperature ceramic, sealant, primer and automotive paint 35 x 25 x 19 cm 13...
     
    Jou Morales
    Urna Mecha, 2023
    Low temperature ceramic, sealant, primer and automotive paint
    35 x 25 x 19 cm
    13 3/4 x 9 7/8 x 7 1/2 in

     

  • Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023. Image credits: Ramiro Chaves @whitebalancemx
    Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023. Image credits: Ramiro Chaves @whitebalancemx 
  • Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023 Image credits: Ramiro Chaves @whitebalancemx
    Installation view of Mobile Suite: Jou Morales & David Zafra, Campeche, Mexico City, 2023
    Image credits: Ramiro Chaves @whitebalancemx 
  • "Mobile Suit is a metaphor to understand that the greatest refuge and protection is the principle of manual/artisan creation."

     

    - Jou Morales and David Zafra

  • Other Available Works

  • Jou Morales Nuestras necesidades sustituidas por el óxido y la máquina, la soldadura y la alta tensión, 2023 Acrylic and... Jou Morales Nuestras necesidades sustituidas por el óxido y la máquina, la soldadura y la alta tensión, 2023 Acrylic and... Jou Morales Nuestras necesidades sustituidas por el óxido y la máquina, la soldadura y la alta tensión, 2023 Acrylic and...
    Jou Morales
    Nuestras necesidades sustituidas por el óxido y la máquina, la soldadura y la alta tensión, 2023
    Acrylic and aerosol on canvas
    Aluminum frame
    80 x 120 cm
    31 1/2 x 47 1/4 in
    • David Zafra Gunplant 2, 2023 Acrylic on canvas 40 x 50 cm 15 3/4 x 23 5/8 in
      David Zafra
      Gunplant 2, 2023
      Acrylic on canvas
      40 x 50 cm
      15 3/4 x 23 5/8 in
    • David Zafra Gunwall /War in the poket, 2023 Acrylic on canvas 40 x 50 cm 15 3/4 x 19 3/4 in
      David Zafra
      Gunwall /War in the poket, 2023
      Acrylic on canvas
      40 x 50 cm
      15 3/4 x 19 3/4 in
  • About the artists

  • David Zafra

    David Zafra

    David Zafra (b. 1992, Oaxaca de Juárez, Mexico) received a BA in Plastic and Visual Arts from the Escuela Nacional de Pintura, Escultura y Grabado La Esmeralda in Mexico City. His most recent exhibitions include This (Supposedly) Must Be The Place, Beverly's Gallery, Visa projects, New York, USA, 30 years of engraving art in Oaxaca, Sangfer Studio, Somers Gallery, London, UK and Loma bonita, kurimanzutto, Mexico City, Mexico. 

     

    Zafra has been a faculty member at the Universidad Benito Juárez de Oaxaca since 2019.

     
  • Jou Morales

    Jou Morales

    Jou Morales (b. 1990, Oaxaca de Juárez, Mexico) received a BA in Plastic and Visual Arts from the Universidad Autónoma Benito Juárez in Oaxaca. His most recent exhibitions include Llanero, Residencia 797, Guadalajara, Mexico, Atlas de la Loma, kurimanzutto, Mexico City, Mexico. Carroñero, Instituto de Artes Gráficas de Oaxaca (IAGO), Oaxaca, Mexico. He also received the Jóvenes Creadores grant 2020-2021 from the Fondo Nacional para la Cultura y las Artes (FONCA), as well as a grant from the Patronato de Arte Contemporáneo in 2019.

     

    Both live and work in Oaxaca and are co-founders and active members of YOPE PROJECTS SPACE.